Matthew Chan talks to Debbie Jenkins of AuthorShock on why being authentic, getting educated, delegating to experts and not being a perfectionist can help you birth your first book. This interview contains Matthew’s, sometimes controversial, views on the publishing industry as well as an explanation of his triad approach to marketing. Read the rest of this entry »

Joanna Penn - The Creative PennJoanna Penn says: If you want to be a financially successful author, it is important to consider how you will make your money. For most, writing does not pay a full time income, but for some, it can be a path to wealth. I read “The Wealthy Author” a few weeks ago and thought it was full of fantastic tips for writers. It is aimed at non-fiction writers, but there are a lot of cross-overs that fiction authors can also use.

In this audio interview, Australian-based British author, speaker and business consultant, Joanna Penn, gets Debbie Jenkins to reveal some of the secrets from inside The Wealthy Author. You will learn…

  • How to target hungry fanatics with cash to spend on you and your book
  • Why other authors targeting the same readers as you should be treated as allies
  • How to use a book to bridge the price gap in your consultancy, coaching or expert business
  • How to benefit from the future of ebooks now that they’ve grown up
  • Much more…

The Creative Penn

Listen to The Wealthy Author interview at www.thecreativepenn.com Now

MarkCokerSmashwords.comBrutal honesty, a meat grinder and how to make sure the naysayers don’t steal your dreams – Mark Coker, founder of Smashwords.com speaks openly about his journey. If you’re considering your ebook strategy you need to listen to Mark, he’s one of the main movers in the ebook world, with recent deals made with Amazon, Sony & Barnes&Noble.

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Tell People About The Wealthy Author & Get Paid $12.50 Every Time They Buy

We’ve now started selling the e-version of our new book, The Wealthy Author: The Fast Profit Method for Writing, Publishing & Selling Your Non-Fiction Book, via Clickbank and want to invite you to tell your contacts, tweet about it and link to it in return for 50% of the cover price – meaning $12.50 to you for everyone who buys.

  • You can see the rave reviews we’re already getting for the book on Amazon here…
  • You can read a sample of the book, including the Table of Contents here…
  • You can see the sales page for the book here…

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Despite widespread denial from the majority of traditional bookstores, publishers and authors, the publishing game has been changing at an increasingly rapid pace since the  emergence of the world wide web. The real tipping point, however, is only just being reached as Print On Demand (POD) technology, Ebooks and Social Networking finally reach  mainstream status. Joe Gregory, an independent publisher who co-founded The Publishing Academy shares just one way the new rules are affecting the way authors, publishers  and bookstores are sharing the risk and rewards.

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Self Publishing, Mainstream Publishing, Vanity Publishing

There are only really 3 publishing models but lots of different names for vanity publishing…

  1. Paid For Publishing aka “Vanity Publishing”: If you pay someone else to publish your book it could be called collaborative publishing, cooperative publishing, subsidy publishing or (most misleadingly of all) self publishing but it’s really just vanity publishing with a more acceptable title. Some big-sounding New York and London publishers are offering “deals” to new authors with a high cost attached. These “deals” are really nothing more than an attempt to cash in on their name and sell an overpriced vanity package.
  2. Self Publishing: No matter what the vanity press says – it’s not self publishing unless you’re doing it all yourself. Obviously you may employ people to provide certain skills but you are still the publisher and the buck (or should that be book) stops with the author and only the author. This is further split into two main approaches:
    1. Print-On-Demand Self Publishing – Low Risk with Good Distribution Built In (providers include LightningSource, Lulu, CreateSpace and BookSurge)
    2. Print-Then-Sell Self Publishing – High Risk with No Distribution Built In (there’s no longer a good reason to publish this way unless you only plan to sell books direct)
  3. Mainstream Publishing: These organisations pay you for your book. There’s a lot of competition from authors here so fewer and fewer publishers are offering big (or any) advances anymore and many still insist you apply via an agent. However – they won’t expect you to pay them a penny for your book and they will expect to be sending you royalties. Mainstream publishers really fall into 3 main categories:
    1. Big Publishing Houses – New York Publishers, London Publishers etc. – most aspiring authors dream of getting a huge advance from these companies. First timers should expect tiny royalties and dwindling advances.
    2. Independent Publishers – usually smaller publishers that only publish a few titles per year. These companies are often specialist in nature and can provide a good start for many authors. However, they’re still crippled by the old print-then-sell rules and aggressive terms from bookshops so don’t expect to earn a big royalty,
    3. Publishing 2.0 Publishers – again, usually smaller publishers that have embraced new technology for both production, distribution and sales. Good publishers embracing the new rules of the publishing game are able to pay much higher royalties because they no longer rely on bricks-and-mortar bookstores for their sales.

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